Tag Archives: Cormac McCarthy

Adventures in writing … pot pourri!

Bit of a mixed bag this month, so feel free to skim!

They say Twitter is good.

Just who are ‘they’ I hear you ask. Well, experts I suppose. I’m not an expert, so all I can go by is my gut-reaction, my instincts. So, I’m probably wrong, but nevertheless, I just don’t get it.

Okay, so I looked last time at how many followers some of the top authors have and, yes, they have lots. But does it help their sales? This is where I have the problems. I’m not sure who generates all this advice, you see. I suspects they are associates of Twitter, Facebook, Book Baby and Amazon. They are all in each other’s pockets anyway. Any idiot can see that. So, can we trust them?

I’m not sure.

I have just received an email informing me I have a new follower on Twitter. I wonder why, as the person is somebody I have never heard of. Perhaps they have bought one of my books, a new fan? With beating, expectant heart, I checked out their profile.

This person follows around 200 people. And how many follow him? 75,000. Say that back to yourself, slowly. SEVENTY-FIVE THOUSAND! I mean, how does he get the time to even obtain that many followers? And does it actually mean anything? Imagine if every one of those followers went out and bought his book. Imagine! In a flash, he’d be more successful than almost everyone else on the best-sellers list. However, a quick check on Amazon reveals he is not.

So … what is the point?

I don’t know. I’m very cynical. I don’t think it means diddly. I follow more people than I have followers. I’m not sure if I have ever bought anybody’s book from a tweet on Twitter. And I do read. I read a lot. I suppose all of us struggling to make it in this over-loaded world of authors and publishers need to explore every avenue in getting ourselves known. But it’s a long old road and it is very disheartening when I see the sort of thing described appearing on Twitter. I will never have 1,000 followers, let alone 75 thousand of them. Perhaps I should give up and not worry so much.

Well, I’m not giving up writing, that’s for sure. I’m working on a screenplay of one of my books at the moment, but as the gales are roaring through my village, knocking out the electricity every five minutes, I have resorted to using my notebook. It has a battery you see, and can continue when the house is stripped of power. Ah, the joys of living in the dark ages!

I received a post from a friend, about Stephen King’s top 10 best reads.

Here it is: http://www.openculture.com/2014/11/stephen-kings-top-10-all-time-favorite-books.html

It’s really interesting because as a horror/thriller writer you’d expect his list to be peppered with titles from the genres he writes in, but it’s not. You could say, at a push, that 1984, even Bleak house, have scary moments, and ‘Lord of the Flies’ is certainly very dark, but … not your true-blue horror. I guess it all has to do with what you like to read. My interests are very wide.  It got me to thinking about my own top-ten, so I-ll work on that and present it next time. What is yours?

I’ve finished the third in my Hardrada series and will send it off to my lovely publisher soon. Enjoy the first two volumes, both of which receiving super reviews. If you like historical fiction, with plenty of twists and turns, and written at a cracking pace, you’ll enjoy these. Oh, they have Vikings in them, so that can’t be bad!

I have other genres too. Check them out here: http://www.amazon.co.uk/s/ref=nb_sb_noss/279-4230230-2335426?url=search-alias%3Ddigital-text&field-keywords=stuart%20g%20yates

Thanks for dropping by, and happy reading.

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Adventures in writing – a personal journey by Stuart G Yates

The writer’s craft. This is something I’d like to touch upon. And one particular aspect. Descriptions.

I’m reading a book at the moment, by a very well known author. I shan’t say who it is, and I am not offering anything of what I say as a criticism, more of an observation as to how different writers work in different ways.

The book is interspersed between pages of sharp, stark dialogue, realistic and compelling, and lengthy descriptive passages of buildings, streets, highways. I found my attention, and my interest, waning as these pages became more and more laborious, and I wondered what they had to do with the story. Of course, we need some focus, some idea of setting, but to be informed of every minute detail, I found it tedious and I skipped whole pages, anxious to get back to the action. I confess I did wonder if all of it was simply to pad out the narrative, to fulfil the current credo that a thriller must be 80,000 words long. Perhaps, if all of those long, rambling passages were removed, we would be left with only sixty to sixty-five thousand words, and it wouldn’t look so thick on the shelf. When handing over our hard-earned cash, perhaps that is a consideration. Certainly it seems that way as far as publishers go.

I have read all of Cormac McCarthy’s work, and his descriptions are vivid, but not lengthy. You know exactly where you are, what the characters are seeing, and that enables you to become more immersed in their world. But none of this detracts from the story. I have never skimmed over McCarthy’s paragraphs.

The same can be said for Raymond Chandler, and Robert B Parker. Details are given, but they are brief, albeit well observed. For characters too, one is given outlines, maybe hair colour, physical shape, clothing (Parker always mentions clothing, describing exactly what each person wears. I’ve noticed John Harvey does this as well. I’ve never understood why we need to know how many buttons are on a person’s jacket, or whether their trousers have turn-ups or not. Some might be interested in that, but does it actually matter? I’m not convinced).

A hundred and fifty years ago, Dickens would describe a character’s physicality to the nth degree, leaving nothing to the imagination. But that man was a genius, crafting his words to paint pictures in a world without film or television. Now, I feel we do not require such over-statement. What is wrong with leaving a lot up to a reader’s imagination?

I rarely describe a character’s features. I may hint at it, putting in details of their age, size, possibly even hair colour. I might say a woman is ‘beautiful’ but do I really need to explain exactly why she is beautiful. Besides, my idea of what being beautiful is might actually be totally opposite to what my reader has in mind. So, by hinting, or giving clues, I am allowing the reader to fill in the blanks. That, for me, is far better and leads to a tighter, more well-paced story. I hate waffle of any kind; let’s get to the point, and make the journey an interesting and exciting one.

So, this book. It is a riveting read, but I’ve missed out thousands of words. Has this heinous act lessened my enjoyment, my understanding? Not at all. The act of skimming annoys me, and I’d much rather do without hundreds of words of detailed descriptions of the outside of buildings, their position on the street, how the paintwork has been lovingly and painstakingly applied to create a pseudo-Edwardian facade…yawn. I don’t care.

Each to his own. I offer these thoughts to simply underline what I think are the important aspects of writing. Pace, realism, mystery. By not giving too much away, we add to the reader’s enjoyment. Heroes and heroines are created in our imagination as we read. That’s how it should be. The reader then has ownership, and they can become rightly angered, or indeed pleased, when they see this character portrayed on the silver screen.

I am enjoying this book I’m reading. But I’ll not lie awake and worry myself over missing vivid descriptions of road surfaces. I’d much rather read over all of those to discover who actually ‘did it’.

 

Why not have a look at my own use of descriptive writing? You can go along to my websites and seek out where to buy my books. ‘Burnt Offerings’ has just been reduced in price for the Kindle, and is well worth a look.

www.stuartgyates.com

www.glennstuart.co.uk

Enjoy, and keep reading.

 

 

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